![]() The entire central section at the Sunnyside daycare center plays like a prison movie (think Cool Hand Luke) that develops into a prison break movie. The Toy Story 3 is nothing if not a smorgasbord of cinematic genre influences. What ensues is a genre defying mix of action incorporating prehistoric monsters and sci-fi villains in spaceships. ![]() Subverting the cliché, Woody can’t stop the train from going over the edge in time, but he is saved by Buzz Lightyear. Of course, it’s replete with Western clichés including the blown out bridge, the train full of orphans (played by a cadre of troll dolls), and the villain making the hero choose between catching him or saving the victims. The film opens with the breathless Western action sequence involving Woody chasing down a train that the “Evil Mr. So many today seem to use CGI as an end itself, rather than just a means to an end, and Pixar has always understood that it’s the heart and soul behind the animation that was of primary importance.Īs with all Pixar, there is an effortless control over plot, character, humor, action, atmosphere, and pacing, but what really stands out about Toy Story 3 compared all other Pixar efforts is the ambitious diversity. But the thing that is always distinguished Pixar as a superior animation studio was their ability to work as storytellers through the medium rather than being captive to the medium itself. The biggest leaps can be seen and intricate backgrounds, especially at the daycare center, which abounds in rich detail. It can even be seen the character designs, which haven’t really been changed, but refined by a plethora of minute degrees. The original looks downright sparse and juvenile compared to the lushness of part three. ![]() Woody manages to escape, thinking that he is going back to Andy and that his friends are happy in their new environment, only to find out elsewhere what’s really going on, which prompts him to break back into the center and free his friends.Ĭomparing this entry with the original, it becomes quickly apparent how far the animated technology of the medium has progressed. But it turns out that Lotso is a jaded totalitarian ruler who has manipulated the daycare system to allow him and his friends to be toys for the older kids, while the newbies suffer the wrath of the toddlers. When the toys arrive, they’re greeted jovially by Lotso and the other toys at the center, including a Ken doll voiced by Michael Keaton, who, obviously, immediately falls for Barbie as the two go to live in his dream house. The most important new addition is Ned Beatty as “Lots-O’-Huggin’ Bear” or “Lotso” as he’s called. The entire cast from the previous two films reprises their roles, and it’s extraordinary that they have been able to maintain the integrity of this cast over such a long period of time. What initially seems to be an oasis for toys turns out to be a hellish nightmare as toddlers are more like tyrants than respectful owners. It seems are either destined for the attic or the trash, but a mistake leads to them being donated to the Sunnyside Daycare Center. ![]() The film opens with Andy going off to college and our miniature cast of heroes’ concern over what is to come of them. Like part two, three is concerned with what happens to toys when children grow up, but there are many variations that makes this more than just a retread. I’m utterly delighted to say that the film put all my fears to rest. After an 11 year wait, I was understandably anxious concerning how they could keep the series fresh for third entry. Arriving four years later, I was astounded by the sequel’s ability to live up to the greatness of its predecessor. Of course, like all successful franchises, Toy Story wouldn’t be complete without a trilogy. Even after what must be 10 viewings by now the movie never ceases to conjure that magic of childhood not just the magic of me watching the film as a child, but the magic of how childhood really is, with all its boundless imagination and the unbreakable bonds of friendship. Of course, I really come to realize these latter two points much later in life as I revisited the film repeatedly. Has it really been 15 years since the first Toy Story? It seems like just yesterday I was a wide-eyed 10-year-old sitting in a theater watching the very first all-computer animated film what a magical experience that was! It was more than just the thrill of seeing something completely new on screen, it was the wonderful humor combined with a deep humanistic poignancy and pristine classical craftsmanship that marked the best of classic Hollywood.
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I was so excited.I arrived at the show, with my hair looking amazing. I was sure others would do the same, but I didn't care. I wanted to look like the singer from Flock of Seagulls. On the day of the show, I spent a few hours getting my hair ready. When I heard that Flock of Seagulls was performing in my city, I bought tickets immediately as I'm a big fan of these cheeky Liverpudlians. I missed most of these bands perform the first time around. Mike Score still occasionally tours using the band name and is currently pursuing a solo career.Īs a big fan of 80's music, I never miss the chance to see an 80's band in concert. The band’s momentum waned and despite the recognition they had earned for making headway in the new wave scene, the band broke up. The band’s next two albums, “Dreams Come true” released in 1985 and “The Light At the End of the World” released ten years later failed to even make it onto the charts. The band’s next album, “The Story of a Young Heart” was moderately successful but ultimately was unable to attract the same attention as A Flock of Seagulls’ first two albums. The lead single from the album, “Wishing (If I Had a Photograph of You)” climbed to number 10 on the UK singles chart and helped the album become a top 20 hit in the UK and the US. ![]() A single from the album, "I Ran (So Far Away)" became a runaway success hitting the number one spot in Australia and reaching the top 10 in the United States.ĭespite their popularity abroad, the band had yet to achieve significant success in the UK but that was set to change with the release of their 1983 album “Listen”. The band quickly released their debut album, “A Flock of Seagulls” in 1982, which peaked at number 10 in the US and number 5 in Canada. This success across the pond attracted the attention of Jive Records who signed them to their label. The group released a single called “Telecommunication” which became a dance hit in the US, placing at number 19 on the US dance chart. Once confident enough to perform in front of a crowd, the band started to play in clubs where they quickly gained a following and peaked the interest of record producers. Before performing live the band would practice above Mike’s hairdressing salon. ![]() The credits were shown next to the images of the actors at the end of the video.The band was formed by brothers Mike and Ali Score with Francis Maudsley and Willie Woo, who was soon replaced by Paul Reynolds, brought in to complete the line up. The music video was the first shown on MTV to use on screen credits for the actors. Sapan built the red laser ray gun that Mike Score used. As they negotiated the laser effects, they realized that Sapan himself had the right look to act in the music video and hired him right there. At that time, Sapan was also doing laser light effects. For the lasers, they retained the services of holographic pioneer, Jason Sapan, of Holographic Studios in New York City. Talking Dog built the props used by Pink Floyd. They hired Talking Dog Productions to build the spaceship. With hundreds of acres of land and many exotic animals used in television commercials and film, it made for an interesting shoot. The music video was filmed at Dawn's Animal Farm in New Jersey. The producers wanted to use special effects that would be current, yet recall the look of 1950's cinema. This music video was based on a 1951 science fiction classic film called The Day the Earth Stood Still. The song was re-recorded for the band's second album Listen and this version, released on Jive in August 1983, made the Top 100, peaking at number 78. It fared better than its original release, peaking at number 22 on the Independent Singles Chart, though it failed to make the UK Singles Chart Top 100, peaking at number 128. In the wake of the latter's success in the UK, "(It's Not Me) Talking" was remixed and released as a 12-inch single in March 1983 on the Cocteau label. Following this, A Flock of Seagulls signed to major label Jive and by the end of 1982 they had a top-ten hit in the US with " I Ran (So Far Away)" and in the UK with " Wishing (If I Had a Photograph of You)". "(It's Not Me) Talking" was originally released in May 1981 as the third release on producer Bill Nelson's independent label Cocteau Records and it peaked at number 45 on the UK Independent Singles Chart. The song is about a man who hears voices in his head, who believes that he is being contacted by aliens from outer space, and who cannot run away from his emotions wherever he goes, the voice is there. 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I thought the effect was pretty cool - and yes, I know, I'm very easily amused. I discovered this when I had all the images in one folder on my computer and I quickly clicked through them. If you lined them up in a flip book and flipped through them quickly they would look like they were actually marching along. The proper order is purple, green, yellow, orange, red. They are arranged in a certain order for the marching positions to flow naturally. There's five different bears - each one is a different color and drawn in a different marching position. He was inspired by a generic lead slug for a bear he found in a printer's box of fonts. In keeping with the album's theme Thomas incorporated bears in the cover art. He also recorded the music and produced the entire album. 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This type of trauma is situated in our genes and is located in many social interactions throughout life. ![]() Intergenerational trauma has penetrated us in layers it is biological and psychosocial. About sound baths and how they’ll benefit your healing journeyĪbout Intergenerational Trauma and The Healing Process.Shifting the focus from trauma to kindness, patience, and self-love.How to incorporate mindfulness into everyday life.Tips for disrupting trauma patterns through compassion.About intergenerational trauma and the healing process. ![]() In this podcast, Breaking the Cycle of Intergenerational Trauma, we cover: Buqué also focuses on delivering healing lessons and workshops, as she believes in both the liberation of our minds and of society as necessary qualities of our overall wellness. Her work centers on helping people heal their whole selves through holistic mental wellness practices and on healing wounds of intergenerational trauma. Mariel Buqué is a Columbia University-trained licensed psychologist, holistic mental health expert, and sound bath meditation healer. This episode is all about the power of intergenerational traumas on our present-day health.ĭr. “Gratitude Can Be Extended Generationally” The children were taught dance, speaking and singing in preparation for developing an act. ![]() Family legend attributes the name to an uncle surnamed L'Astaire. Fred and Adele's mother suggested that they change their name to Astaire, as she felt that Austerlitz was reminiscent of the Battle of Austerlitz. They began training at the Alvieni Master School of the Theatre and Academy of Cultural Arts. When their father lost his job, the family moved to New York City in January 1905 to launch the showbusiness careers of the children. Although Fred refused dance lessons at first, he easily mimicked his older sister's steps and learned piano, accordion and clarinet. Johanna planned a brother-and-sister act, common in vaudeville at the time, for her two children. Astaire's older sister Adele was an instinctive dancer and singer early in her childhood. Astaire's mother dreamed of escaping Omaha by means of her children's talents. Fritz was seeking work in the brewing trade and moved to Omaha, Nebraska, where he was employed by the Storz Brewing Company. Īstaire's father Fritz Austerlitz arrived in New York City at the age of 25 on Octoat Ellis Island. Astaire's father was born in Linz in Upper Austria, then part of the Austro-Hungarian Empire, to Catholic parents that had converted from Judaism. to Lutheran German immigrants from East Prussia and Alsace. Life and career 1899–1916: Early life and career Fred and his sister Adele in 1906įred Astaire was born Frederick Austerlitz on in Omaha, Nebraska, the son of Johanna "Ann" (née Geilus 1878–1975) and Friedrich "Fritz" Emanuel Austerlitz (1868–1923), known in the U.S. The American Film Institute named Astaire the fifth-greatest male star of Classic Hollywood cinema in 100 Years. Astaire's fame grew in films like Holiday Inn (1942), Easter Parade (1948), The Band Wagon (1953), Funny Face (1957), and Silk Stockings (1957). ![]() Astaire's most memorable dancing partnership was with Ginger Rogers, whom he co-starred with in 10 Hollywood musicals during the classic age of Hollywood cinema, including Top Hat (1935), Swing Time (1936), and Shall We Dance (1937). As a dancer, he was known for his uncanny sense of rhythm, creativity, and tireless perfectionism. He starred in more than 10 Broadway and West End musicals, made 31 musical films, four television specials, and numerous recordings. He was inducted into the Hollywood Walk of Fame in 1960, American Theatre Hall of Fame in 1972, and the Television Hall of Fame in 1989.Īstaire's career in stage, film, and television spanned 76 years. He was honored with the Film Society of Lincoln Center tribute in 1973, the Kennedy Center Honors in 1978, and AFI Life Achievement Award in 1980. He received numerous accolades including an Honorary Academy Award, three Primetime Emmy Awards, a BAFTA Award, two Golden Globe Awards, and a Grammy Award. He is widely regarded as the "greatest popular-music dancer of all time". Fred Astaire (born Frederick Austerlitz May 10, 1899 – June 22, 1987) was an American dancer, actor, singer, choreographer and presenter. |
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